Unable to rank them or choose less than ten, Veronica goes all in on the best new movies she watched in 2023 – including a whole lot of puking, ball busting, body horror, and murder. The good stuff.

Back Row's movie recommendation and ramble-a-thon Cream of the Crud is back with our first episode of 2023!

Jenna gets into her favorites of 2022, including films about Elvis, aliens, vikings, ghosts and people from New Jersey - oh my!

The Ark of Lilburn is a testament to how the American system often destroys the dreams of American citizens. It’s a real life Fitzcarraldo with southern accents and a business owner who’s permanently attached to his nicotine vape.

The biggest problem with adaptations of Lady Chatterley’s Lover is not just thinly drawn characters or poorly filmed sex scenes, it is in how they leave what makes the novel intellectually provoking on the cutting room floor.

A double feature of two movies, both of which have recently been restored and re-released, that tackle the maddening maze of bureaucracy – Orson Welles’ The Trial and Shakhnazarov’s Zerograd.

Jenna double features two adaptations of beloved YA novels with Catherine Called Birdy and I Capture The Castle – the first about the actual 13th-century and the second about a girl in the 1930s living in a crumbling 13th century Castle.

Veronica double features two teens experimenting with broadening their horizons in two turbulent decades – Diary of a Teenage Girl and Acid Test.

Dan’s back with another list of off-the-beaten-path or under-the-radar picks for your Halloween watchlist!

Guest contributor Zoe Rogan explores the parallels between Olivia Wilde’s Don’t Worry Darling and Luis Buñuel’s Belle du Jour – both films set within repressive worlds, heavy on themes of control, patriarchy and sex, and feature women who seek to break free.

The platforms and buzzwords available to Gen Z can be welded as weapons or tools, depending on whose hand they’re in. The kids in Bodies Bodies Bodies, Pleasure and Medusa, approach life and adulthood as something they can opt-out of.

Jenna attempts to pinpoint when teen movies lost their emotional sincerity, while Veronica shrugs and suggests she simply watch more movies. They discuss coming of age films from the late 1970s to the early 2000s – from early Matt Dillon films to Millennial classics.

223 Wick is a film that will be appreciated by aficionados of the experimental, underground works of the ‘60s and ‘70s where sometimes you’re only along for the ride because of the psychedelic visuals and totally out there concepts.

Dan & Jenna have spun the wheel again and landed on horror. Join them as they discuss Dementia (1955) vs The Office Killer (1997), two surreal, female-driven slashers.

Jenna and Veronica both enjoyed Barbarian, which is why they recorded a podcast ripping it apart. It’s one part film critique, one part conversation, and a whole lot of lusting after Lil’ Billy Skarsgård.

Carlo and Dan are back with more of the Crud they’ve been watching - including The Kid Brother, more tokusatsu shows, and the original Batman series.

From the minds of Dan and Jenna comes a new podcast segment : Decade vs Decade! First up is a clash of fantasy films: The Fabulous Baron Munchausen (1962) versus Conquest (1983)

Elvis ended up being the best of what it could have been: a glittering frenzy of feverish reverence, replete with pink suits and matching Cadillac cars, hysterical hip-shaking highs and slurred, sweat-dripping lows.

Carlo and Dan are back talking about a double-feature of overlooked 90s comedies: Strike! aka All I Wanna Do aka The Hairy Bird, and Dick.

In this sequel of sorts to last year's interview with Allan Levine about their SOV Emmeritus Pictures, Allan returns to discuss stories from behind the scenes of the 1987 low-budget exploitation picture Skull: A Night of Terror.