It’s a meaty episode of Franchise Frenzy as Dan and Carlo dig deep down into a hearty plate of the Meatballs movies–the Canadian teen-sex comedy series that launched Bill Murray to stardom.

Veronica talks with director Amy Goldstein on her new intimate documentary about musician Kate Nash. They discuss shooting the film, as well as Amy’s experiences, both fun and frustrating, working as a woman in the film industry.

Jenna and professional drag king Veronica talk about Victor and Victoria, both the charming 1933 musical and the equally charming 1982 remake starring Julie Andrews. Do they also do some sining? Maybe…

Instead of trying to tackle an entire oeuvre, this time Carlo & Jenna focus on two wild and wacky films that have nothing in common except for their supremely cartoonish appearances.

One might imagine the caliber of free movies on YouTube to be dismal to painful, but it turns out that a large portion of what is available without payment is surprisingly… good. Veronica talks vampire ladies, stoner humor and psychic dogs, all free on YouTube right now.

Kino Lorber has just released three beautifully restored queer films from the Weimar era on VOD: Michael (1924), Mädchen in Uniform (1931) and Victor and Victoria (1933)

Carlo & Dan discuss all four films in the Project Shadowchaser series starring Frank Zagarino as a villainous android / sometimes villainous alien. How do these movies fit together? What exactly is a Shadowchaser? And finally, are any of these movies any good? Find out!

This time on the latest episode of Hoser Horror, Dan and Carlo watch a double-feature about men, their failing lives and relationships, and their inability to distinguish reality from non-reality.

Carlo and Dan are joined by Made For TV Mayhem's Amanda Reyes to talk all things Killer Party and Prom Night!

Matt from the Compañeros Radio Network joins Dan and Carlo to talk about two nightmarish kids movies.

This week, it's a duo of supernatural-ish shockers with Graveyard Shift (1987) & The Kiss (1988). One’s about a taxi drivin’ vampire who falls in love with an intended victim and the other is about…. something else entirely.

Watching movies filmed in a place you love when you are physically present in said place but unable to enjoy it has become a strange panacea for Veronica. Between Petulia, Foul Play and The Manitou she almost feels like she’s really in the Bay Area… which she is, but, y’know, it’s weird right now,

Jenna watched every Mission Impossible movie while under quarantine and she was shocked to find that, instead of the nationalistic action-schlock she had anticipated, the entire franchise is actually an unwitting call to true anarchistic revolution.

The experience of seeing Cats, especially at a late-night or rowdy screenings, is like trying to solve a brain-teaser in a karaoke bar on a rollercoaster. Guest contributor PJ Kryfko lays out who, what, and how of Cats, as well as why he will be watching it for the rest of his life.

This time on Hoser Horror, Dan is hosting without Carlo because he had a chance to sit down with Jesse D’Angelo, step-son of writer-director John Fasano and son of screenwriter/author Cindy Cirile (who wrote Rapid Fire and Black Roses as well as produced Fasono’s The Jitters.)

Gaspar Noé’s Irreversible is known for its unflinchingly brutal rape scene, but what Veronica found more unforgivable was how boring the whole movie was.

Carlo and Dan taking another look into the filmography of Paul Lynch as they watch his island-set slasher Humongous and the cross-country sleaze-o-rama... Cross Country.

This time on Hoser Horror Dan and Carlo talk about Revenge of the Radioactive Reporter and Rabid!

Picture yourself on a truck on a lawn, with a general unease and an outer space high. Lucy in the Sky indulges in tired tropes and gimmicks, but its most egregious mistake is focusing on space when the drama’s down here on earth.

In this day of blurred lines between gender, sexual orientation, and what those words even mean, the axiom of the “every man” is fading away. Veronica looks at three movies that anticipated this inevitable sea change with varying degrees of male tears.