Veronica interviews filmmaker Anja Murmann on her upcoming film Unintended–about a woman who has repressed a memory of murder for so long that it begins to drive her insane.

They say imitation is the sincerest form of flattery, but what about parody? Specifically for horror, spoofs work better when the movie (or movies) in reference is respected. Such is the case for Psycho Beach Party, Saturday the 14th and Silence of the Hams.

Jenna joins Dan and Carlo on Hoser Horror to discuss two Canadian horror movies from the 1970s: Deranged (1974) and The Uncanny (1977).

Liberté is as much about human nature versus society as it is about tongue versus butt. Albert Serra casts the audience in the role of the vouyer, using the act of observation as a meta commentary on nature, pleasure and freedom.

On the latest Hoser Horror episode of Notes from the Back Row, Dan and Carlo dive into the seminal kid-horror series Are You Afraid of the Dark?

This episode of Notes from the Back Row’s Hoser Horror finds Dan and Carlo watching Watchers and The Gate with two very good boys: Furface and Angus!

People often talk about the 80’s as the golden age of schlock (and they’re 100% right), but Carlo will always look back at the 2000s as a time when his interest in cinema hit an all-time low. This season, give her… trash!

This time on another Hoser Horror episode of Notes from the Back Row, Carlo and Dan watch a double-feature of Canadian horror films featuring the one, the only: Jon Mikl Thor.

In the spirit of the Halloween season, Dan’s whipped up some recommendations for alternative horror picks to slide into your rotation with the regular year-after-year classics we all know and love.

James Gray takes the vacuum of space–including your lofty and high-minded expectations of space movies–and plugs it all up with self-help books about learning to love yourself. Cue Whitney Houston!

Jenna and Veronica discuss Robert Sellers' book Hellraisers–a biography about Peter O'Toole, Richard Harris, Richard Burton and Oliver Reed–and how the legacies of these four legendary drunks fit in with our modern societal standards.

In the latest Hoser Horror, it’s a duet of movies by William Fruet: the snake/telepathy thriller of Spasms (1983), and the sci-fi throwback with a modern twist that is Blue Monkey (1987).

At it’s heart, Henry: Portrait of a Serial Killer is a commentary on both the mutability of morality and the culpability of voyeurism. Or it’s a weirdly dark comedy, depends on how twisted your soul is.

It’s dinner and a movie with Italians, American Style! Veronica mixes it up by providing you with two recipes to go with your double feature of Moonstruck and I Love You To Death.

Hoser Horror goes a little bit south of North America and dips into the ol’ U.S.A. with this week’s two Canadian horror films–Red Blooded American Girl and American Nightmare.

Carlo, Dan and guest Adam Eisentrout discuss My Bloody Valentine (1981), and Visiting Hours (1982) and their place in the pantheon of blood-soaked Canadian stab-’em-ups.

A naked, greased-up elderly man who strangles people, eats their eyes and then scrubs off in a carwash. After watching The Greasy Strangler (2016), Veronica is not sure of anything anymore.

This week, Hoser Horror goes into the backwoods to find two of the meanest, sleaziest revenge movies this side of the great white north.

Carlo and Jenna are making up for years of ignoring Japanese cinema by focusing on some choice classics. First up are the charming and mesmerizing films of Yasujiro Ozu–including Tokyo Story, Floating Weeds, Good Morning, and more.

The fetishization of the family unit is only now beginning to get picked apart as people are becoming more honest and aware of the skewed, unfair dynamics that can play out within an insular group. Veronica takes a look at Captain Fantastic, The Wolfpack, The Midnight Swim and We Are What We Are.