There are scores of horror movies that follow formulas, rules, and tropes to the bitter end. Even with the 2018 glut of art house horror, plenty of familiar aspects linger. To really see beyond the rainbow on this one, we need to look to experimental horror.
It's the Halloween episode of Notes From the Back Row! We're discussing everything from horror franchises, teen horror, horror comedies and VHS horror.
If you watch The Party’s Over and Last Summer in a row and you'll come away realizing not only was the dream of the 1960s a lie, but we've never actually accomplished anything.
We tend to think of Fascism as everyone “agreeing” to the same ideals, but those boundaries are rarely ever publicly decided. Instead of a commentary on what fascism does, Salo presents what it allows for.
Jenna and Veronica (and some technology failure) talk about overhyped movies – including Hereditary, mother!, and Three Billboards Outside Ebbing, Missouri – and who gets to decide on what’s overrated or not.
Black 47 and Bad Day for the Cut both star bearded Irish men with rifles who are out for blood over political strife. So if you want some charming accents and a whole lot of violence, look no further than this double feature.
The season of spoops is upon us, boils & ghouls. So you know what that means… let’s go crazy horror-style! Take your “Tomatometer,” put it in a box, mail it to your butt, and open your minds to the healing power of schlock.
Burt Reynolds will be remembered for being gorgeous, funny, and a great actor. But I’m here to make sure people know that he was also a sensitive, sweet and easily shocked mama’s boy from the South.
We're back, and this week Dan and Carlo take the wheel of the podcast and speed off, careening right off a cliff and into cult cinema territory - hand in hand.
This week on the podcast, we’re getting heisty! That’s like feisty, but with heists - listen in, won’t you?
